Mon
18:23
Tears

Lee Roye – Tears (Nothing But Tears)

I know very little about today’s artist, he seems to be one of those artists that just disappeared.

Released in 1968, it was a big player at Wigan and Kev Roberts puts it at 218 in the top 500, saying:

“A track that typifies the scene. Cute vocal and song, unkown singer, and smart dancer to boot!

“Lee Roye hails from Burlington, New Jersey, and was picked ahead of JR Baileyto record the song. Bailey’s version being a one-off acetate only. ”

Rather moorish, if not only for the ‘ah, tears, nothing but tears’ hook it brought together both sexes on the large maple wooden sprung dance floor, the 45 is one of a cutch of great obscure soul sides for Decca”

My copy is on MCA (378), a UK demo release, it credits Ruby Clark and Ralph Bailey as the writers and is produced by Jerry Katz. The flip, Who Am I, is one of those that probably can be skipped!

I’m sure it’s not everyone’s cup of tea, but it is one that is always in reach when I get behind the decks.

Tears (Nothing But Tears) – Lee Roye; taken from MCA378:  Tears (Nothing But Tears)

Who Am I – Lee Roye; the B side to Tears:  Who Am I

 

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Mon
19:54
Spooky

Classics IV – Spooky

Most people will instantly recognise the tune, thanks I suspect to Dusty’s cover, how many of you knew it was a blue-eyed soul classic before being covered, and before that was a jazz instrumental?

The Classics IV were a band formed in Jacksonville, Florida in 1965. The band and its lead singer Dennis Yost are principally known for the hits “Spooky”, “Stormy”, and “Traces”, released in 1967 to 1969, which have become cover standards.

Born in Detroit, raised in Florida, Dennis Yost who joined on drums and moved into the singer’s spot, came from a Jacksonville area band called the Echoes. After his own group broke up in the mid 1960s, Yost joined a band called Leroy & the Moments, which included Wally Eaton (bass, vocals), James Cobb (guitar), and Joe Wilson (keyboards). His arrival signalled a change in the group’s name as there was no “Leroy” and the Moments was already taken, taking their lead from Yost’s Classic model drum kit, they became the Classics.

When the group was signed to Capitol Records in 1966, they made their debut with a Joe South song called “Pollyanna”, but was so akin to the Four Seasons’ sound that the management of the Four Seasons took offence, and did their best to keep Pollyanna’s air time to a minimum. To rub salt in the wound, the group was threatened with legal action by a Brooklyn based vocal outfit called the Classics, who had already charted a single. The Classics became the Classics IV (as there were four members).

In the spring of 1967, having been released by Capitol, the group relocated to Atlanta and the following summer the group signed with Imperial Records. Once home to New Orleans R&B stars Fats Domino and Dave Bartholomew, by 1967 Imperial had been absorbed into Liberty Records. It was only now that the group started to achieve some success.

When Buie and Cobb heard an instrumental entitled “Spooky,” they came up with words for it and a new arrangement by Cobb. The record, released in September of 1967, scored big in Louisville and began getting picked up by stations around the country, culminating as a number three national hit in the winter of 1967/68.

Spooky – Classics IV; taken fron Imperial 66259:  Spooky

Poor People – Classics IV; the B side to Spooky:  Poor People

The full 45rpm discography:
“Spooky” Imperial (66259) 1968
“Stormy” Imperial (66328) 1968
“Traces” Imperial (66352) 1969
“Everyday With You Girl” Imperial (66378) 1969
“Change Of Heart” Imperial (66393) 1969
“Midnight” Imperial (66424) 1970
“The Funniest Thing” Imperial (66439) 1970
“What Am I Crying For?” MGM South (7002) 1972

It appears a version of the band still exists (albeit the line-up will have changed, following the death of Yost). More (official) news here: www.theclassicsiv.com

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Sun
10:45

For the past couple of years I’ve been letting my depression beat me… feck that, time to kick on with life.

I’ll be back soon with some vinyl delights, in the meantime, here’s a link to an article I’d like to share (courtesy of David of Spin), who says “I wrote a long, kinda wild story about an under-appreciated soul genius for SPIN. I thought it seemed like the kinda thing your readers would be into. The story was a passion project of mine, so any help is much appreciated  . . . and will hopefully allow SPIN to continue to examine the unbeaten path.”

Swamp Dogg Total Destruction Rat On The Real Doggfather.

Keep on keepin’ on…

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